FREE Mix “Winner” #1 Days That Never Dawn by Steven James, produced by Justin Stewart After my busiest summer even, I finally have the time to post the mix I did for the first “winner” of my FREE Mix Submissions. I picked this song as the first free mix selection,
Read more →Submit your best song for a chance at a FREE Mix! Starting in April 2016, I’m taking song submissions for a chance to get your song mixed for free, along with some online promotion. Roughly once every other month (schedule permitting), I’ll pick one song from all the current submissions
Read more →Hi, please see link I have placed and let me know that how can I edit my voice as dual voice. What we call this function. Just help and rest I will practice thru different software. I removed the links from this question, but the vocal effects were basic voice
Read more →For a long time, I stuck with hardware reverb when mixing, because I just didn’t feel like there were any plugin reverbs that could come close to sound of dedicated hardware, such as my Kurzweil KSP-8. Eventually we got some pretty decent software reverbs, with my early favorites being the
Read more →A common thing to talk about among aspiring recording/mixing engineers is how well they can hear. There often seems to be a bit of a contest to see who can hear the highest frequency, as if somehow being able to hear higher frequencies makes you a better recording or mixing
Read more →Sometimes you want to make a vocal sound wider, thicker, and fatter, but without excessive reverb or delays. Here are a few of my favorite methods for vocal widening. Back when I worked at the big studio, we had a couple of Eventide H910 processors, and also an Eventide H3000.
Read more →Loudness tricks of the brain! By now you should know all about the Loudness War, and how our ears & brain are easily fooled into thinking Louder is Better. If you are an experienced recording or mixing engineer, you are probably well aware of this phenomenon, and have figured out
Read more →Are the top mixing engineers hiding trade secrets and purposely misleading younger engineers about how to get great sounding mixes? Award winning mixing engineer Stephen Sherrard lets you in on the secrets!
Read more →Here’s a question I got via email this morning: What one piece of advice would you give to someone starting out at producing/mixing music? I can’t quite decide if I’d rather wear the producer’s hat or the mixing engineer’s hat. I ask because I want to take music production more
Read more →Haven’t written for a while, because I’ve been super busy in the studio with several big mixing projects, as well as some remixing/reworking type projects. However, I just wanted to add a quick article to my “Must Have” series to point out the UAD Cambridge EQ, which I use on
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